© 2026 Gemma Bermudo. All rights reserved.

01/08

Aigua

2024 — 2026

In 2024 I travelled to Iceland. There I found water in all its forms — wild currents, fragments of glacier that looked like diamonds, endless waterfalls, ice trapped in black sand — and, observing them, I gradually found myself as well. What had begun as an outer journey revealed itself as an inner one.

Aigua (Catalan for water) is born of this double gaze. The photographs, drawn from nature and tending towards abstraction, invite a contemplation in which the observation of the landscape becomes self-observation. Water, which cannot be contained, is here both mirror and metaphor: its qualities —movement, transparency, the capacity to take on different forms without ceasing to be— resonate with our own possibilities.

The form of the book responds to the same premise. A container-cover holds four formats that dialogue with one another: a cyclical booklet with no beginning or end; three folded and interlaced posters that the reader gradually unfolds and may rearrange at will; an envelope with a text by the writer Flavia Company; and, hidden behind it, a fine art print on cardboard featuring a fragment of ice from the Vatnajökull glacier.

Limited Edition of 150 copies, numered.

Design Gemma Bermudo

Text Flavia Company

Size 225 × 155 mm

Print — Risograph cover: Club del Prado — Letterpress: L'Automàtica — Booklets and posters: Nova Era Barcelona — Fine art print: Impressionart

Assembly Gemma B.ermudo

© 2026 Gemma Bermudo. All rights reserved.

01/08

Aigua

2024 — 2026

In 2024 I travelled to Iceland. There I found water in all its forms — wild currents, fragments of glacier that looked like diamonds, endless waterfalls, ice trapped in black sand — and, observing them, I gradually found myself as well. What had begun as an outer journey revealed itself as an inner one.

Aigua (Catalan for water) is born of this double gaze. The photographs, drawn from nature and tending towards abstraction, invite a contemplation in which the observation of the landscape becomes self-observation. Water, which cannot be contained, is here both mirror and metaphor: its qualities —movement, transparency, the capacity to take on different forms without ceasing to be— resonate with our own possibilities.

The form of the book responds to the same premise. A container-cover holds four formats that dialogue with one another: a cyclical booklet with no beginning or end; three folded and interlaced posters that the reader gradually unfolds and may rearrange at will; an envelope with a text by the writer Flavia Company; and, hidden behind it, a fine art print on cardboard featuring a fragment of ice from the Vatnajökull glacier.

Limited Edition of 150 copies, numered.

Design Gemma Bermudo

Text Flavia Company

Size 225 × 155 mm

Print — Risograph cover: Club del Prado — Letterpress: L'Automàtica — Booklets and posters: Nova Era Barcelona — Fine art print: Impressionart

Assembly Gemma B.ermudo

© 2026 Gemma Bermudo. All rights reserved.

01/08

Aigua

2024 — 2026

In 2024 I travelled to Iceland. There I found water in all its forms — wild currents, fragments of glacier that looked like diamonds, endless waterfalls, ice trapped in black sand — and, observing them, I gradually found myself as well. What had begun as an outer journey revealed itself as an inner one.

Aigua (Catalan for water) is born of this double gaze. The photographs, drawn from nature and tending towards abstraction, invite a contemplation in which the observation of the landscape becomes self-observation. Water, which cannot be contained, is here both mirror and metaphor: its qualities —movement, transparency, the capacity to take on different forms without ceasing to be— resonate with our own possibilities.

The form of the book responds to the same premise. A container-cover holds four formats that dialogue with one another: a cyclical booklet with no beginning or end; three folded and interlaced posters that the reader gradually unfolds and may rearrange at will; an envelope with a text by the writer Flavia Company; and, hidden behind it, a fine art print on cardboard featuring a fragment of ice from the Vatnajökull glacier.

Limited Edition of 150 copies, numered.

Design Gemma Bermudo

Text Flavia Company

Size 225 × 155 mm

Print — Risograph cover: Club del Prado — Letterpress: L'Automàtica — Booklets and posters: Nova Era Barcelona — Fine art print: Impressionart

Assembly Gemma B.ermudo

© 2026 Gemma Bermudo. All rights reserved.

01/08

Aigua

2024 — 2026

In 2024 I travelled to Iceland. There I found water in all its forms — wild currents, fragments of glacier that looked like diamonds, endless waterfalls, ice trapped in black sand — and, observing them, I gradually found myself as well. What had begun as an outer journey revealed itself as an inner one.

Aigua (Catalan for water) is born of this double gaze. The photographs, drawn from nature and tending towards abstraction, invite a contemplation in which the observation of the landscape becomes self-observation. Water, which cannot be contained, is here both mirror and metaphor: its qualities —movement, transparency, the capacity to take on different forms without ceasing to be— resonate with our own possibilities.

The form of the book responds to the same premise. A container-cover holds four formats that dialogue with one another: a cyclical booklet with no beginning or end; three folded and interlaced posters that the reader gradually unfolds and may rearrange at will; an envelope with a text by the writer Flavia Company; and, hidden behind it, a fine art print on cardboard featuring a fragment of ice from the Vatnajökull glacier.

Limited Edition of 150 copies, numered.

Design Gemma Bermudo

Text Flavia Company

Size 225 × 155 mm

Print — Risograph cover: Club del Prado — Letterpress: L'Automàtica — Booklets and posters: Nova Era Barcelona — Fine art print: Impressionart

Assembly Gemma B.ermudo